Nigerian Afrobeats star Omah Lay has joined forces with Jamaican dancehall veteran Gyptian and Jamaican-American artist BEAM on a new collaboration titled “As We Get High.”
The song brings together three artists from different corners of the global Black music scene, creating a smooth blend of Afrobeats, dancehall, R&B and atmospheric pop.
Released as a collaboration involving bees & honey, Omah Lay, Gyptian and BEAM, “As We Get High” runs for just under three minutes and offers a laid-back sound built around melody, rhythm and an easy-going atmosphere.
Omah Lay, Gyptian and BEAM Connect on “As We Get High”
“As We Get High” is built around a relaxed, hazy production that gives each artist enough space to bring their own identity to the record.
Omah Lay leads with the emotional and melodic vocal style that has become one of his trademarks. His contribution gives the song a dreamy quality, while the production keeps the instrumental spacious rather than overly crowded.
BEAM brings another dimension to the collaboration with his modern blend of dancehall, hip-hop and R&B influences.
Then comes Gyptian, whose distinctive reggae and dancehall voice gives the record a strong Caribbean identity.
The result is a song that connects Nigerian Afrobeats with Jamaican dancehall without making either influence feel forced. DancehallMag describes the record as an Afro-dancehall cut that brings Lagos, Kingston and Miami together through its production and lineup.
A Collaboration Across Generations
One of the most interesting aspects of “As We Get High” is the combination of generations.
Omah Lay represents the newer generation of Nigerian artists who have helped push Afrobeats further into global music culture.
BEAM belongs to an emerging generation of artists who move comfortably between dancehall, hip-hop and R&B.
Gyptian, meanwhile, brings years of Caribbean music experience to the record.
The Jamaican singer became internationally known for “Hold Yuh,” which became a major dancehall crossover hit and helped establish him as one of the genre’s recognizable voices.
Bringing Gyptian together with Omah Lay and BEAM gives “As We Get High” a distinctive musical contrast.
Omah Lay’s Melodic Touch
Omah Lay’s contribution is one of the elements that immediately stands out.
Known for his atmospheric production choices and emotionally driven songwriting, the Nigerian singer has developed a sound that often sits between Afrobeats, alternative R&B and Afropop.
That approach works particularly well on “As We Get High.”
Instead of delivering an aggressive performance, Omah Lay settles into the record’s relaxed atmosphere, allowing his vocals to blend with the instrumental.
The result feels natural for listeners who already enjoy his more chilled and introspective records.
Gyptian Brings Dancehall Experience
Gyptian’s appearance adds another layer to the song.
The Jamaican veteran has spent years building a reputation around his reggae and dancehall sound, making his voice instantly recognizable to fans of Caribbean music.
His presence also strengthens the connection between African and Caribbean music.
Afrobeats and dancehall have influenced one another for years, with artists from Nigeria, Ghana, Jamaica and other territories regularly collaborating and borrowing elements from each other’s musical traditions.
“As We Get High” continues that relationship in a modern way.
BEAM Adds a Modern Edge
BEAM helps bridge the different sounds on the record.
The Jamaican-American artist has built a reputation for moving between genres, allowing him to sit comfortably alongside both Omah Lay’s Afrobeats approach and Gyptian’s dancehall background.
His contribution keeps the song from feeling like a simple Afrobeats-meets-dancehall collaboration.
Instead, the record feels more like a meeting point between several contemporary sounds.
What “As We Get High” Sounds Like
The song has a slow-burning rhythm with ambient textures, subtle percussion and a spacious instrumental.
Its lyrical theme focuses on escapism, romantic intensity and enjoying a moment away from everyday pressure.
Rather than pushing for a huge, explosive chorus, the song relies on atmosphere and the chemistry between its three vocalists.
That makes it particularly suited to late-night playlists, relaxed listening and fans of chilled Afrobeats and dancehall.
DancehallMag highlighted the production’s ability to bring together African and Caribbean influences while allowing each artist to retain a recognizable identity.